Journal Articles

“Other Epic Afterlives: Achilles’ Female Genealogies,” Modern Language Notes 135:5 (2020), 1052- 1062. https://muse.jhu.edu/article/784624

“Translating and Transgendering Orestes in Early Modern England,” Translation and Literature 29.1 (2020), 101-116. https://www.euppublishing.com/doi/full/10.3366/tal.2020.0411

“Tragicomic Conceptions: The Winter’s Tale as response to Amphitryo,” co-written with Beatrice Bradley, English Literary Renaissance 47:2 (2017), 251-269. https://www.journals.uchicago.edu/doi/full/10.1086/693893?casa_token=YmzNrheaPHwAAAA A%3AHFKKREiHTr8YITVUsxrpcOEGpAH1xC1iIJ7LwajpJKx2o7Bp8xbf2bmw34A31BUlPC 4EOpebqus

“Staging Ford in New York, 2015: An Interview with Jesse Berger, Artistic Director of the Red Bull Theater,” Early Modern Literary Studies Special Issue 26 (2017). https://extra.shu.ac.uk/emls/journal/index.php/emls/article/view/265

“Homer and Greek Tragedy in Early Modern England’s Theatres: An Introduction,” co-written with Tania Demetriou, in Homer and Greek Tragedy in Early Modern England’s Theatres, special issue of Classical Receptions 9:1 (2017), 1-35. https://academic.oup.com/crj/article/9/1/1/2752627

“Milton, Drama, and Greek Texts: Preface,” co-written with Tania Demetriou, in Milton, Drama, and Greek Texts 31:2 (2016), 131-137. https://www.tandfonline.com/doi/full/10.1080/0268117X.2016.1193290

“What’s Hecuba to Shakespeare?,” Renaissance Quarterly 65:4 (2012), 1060-1093. https://www.jstor.org/stable/10.1086/669345

“A Kind of Wild Medicine: Revenge as Remedy in Early Modern England,” in Revista Canaria de Estudios Ingleses 50 (2005), 57-69. https://riull.ull.es/xmlui/handle/915/18875

“‘A Thing Like Death’: Poisons and Sleeping Potions in Romeo and Juliet and Antony and Cleopatra,” Renaissance Drama 32 (2003), 95-121. https://www.journals.uchicago.edu/doi/10.1086/rd.32.41917377

“Beauty’s Poisonous Properties,” Shakespeare Studies 27 (1999), 187-210. www.proquest.com/docview/2158115/fulltext/80D191AF1A7A4172PQ/14?accountid=72 87

Book Chapters

“Acting Like Greeks,” in Thomas Heywood and the Classical Tradition, ed. Tania Demetriou and Janice Valls-Russell (Manchester: Manchester University Press, 2021), 229-243. https://www.manchesterhive.com/view/9781526140241/9781526140241.00006.xml

“Playhouses,” in Shakespeare and Emotion, ed. Katharine Craik (Cambridge: Cambridge University Press, 2020), 109-121. https://www.cambridge.org/core/books/abs/shakespeare-and–emotion/audiences/8DB6A8B1C59311F3BB2EE71170AD1443

“The Classical Tradition,” in Shakespeare/Sense, ed. Simon Smith (London: Bloomsbury, 2020), 62-81. https://www.bloomsbury.com/us/shakespeare–sense-9781474273251/

“Knowing Kin and Kind in The Winter’s Tale,” in Blind Spots of Knowledge in Shakespeare and his World, ed. Subha Mukherji (Kalamazoo: Medieval Institutes Publications, 2019), 123-132. https://www.degruyter.com/document/doi/10.1515/9783110661996/html

“Encountering Homer through Greek Plays in Sixteenth-century Europe,” in Epic Performances: from the Middle Ages into the Twenty-first Century, ed. Fiona Macintosh and Justine McConnell (Oxford: Oxford University Press, 2018), 63-75. https://global.oup.com/academic/product/epic- performances-from-the-middle-ages-into-the-twenty-first-century- 9780198804215?cc=us&lang=en&

“Genre: Comedy and Tragedy,” in The Routledge Research Companion to Shakespeare and Classical Literature, ed. Sean Keilen and Nicholas Moschovakis (New York: Routledge, 2017), 42-56. https://www.routledge.com/The-Routledge-Research-Companion-to-Shakespeare-and-Classical- Literature/Keilen-Moschovakis/p/book/9781032096988

“’Tragicomedy,” in The Oxford History of Classical Reception in English Literature, Vol. 2: The Renaissance, eds. Patrick Cheney and Philip Hardie (Oxford: Oxford University Press, 2015), 419-432. https://global.oup.com/academic/product/the-oxford-history-of-classical-reception-in- english-literature-9780198859161?lang=en&cc=us#

“Teaching Petrarch and Shakespeare,” in Approaches to Teaching Petrarch’s “Canzoniere” and Petrarchism, ed. Christopher Kleinhenz and Andrea Dini (New York: MLA, 2014), 230-233. https://www.mla.org/Publications/Bookstore/Approaches-to-Teaching-World- Literature/Approaches-to-Teaching-Petrarch-s-Canzoniere-and-the-Petrarchan-Tradition

“Greek Playbooks and Dramatic Forms in Early Modern England,” in Formal Matters: Reading the Materials of English Renaissance Literature, ed. Allison Deutermann and Andras Kisery (Manchester: Manchester University Press, 2013), 99-123. https://academic.oup.com/manchester-scholarship-online/book/16181

“Introduction,” co-written with Katharine Craik, in Shakespearean Sensations (Cambridge: Cambridge University Press, 2013), 1-25. https://www.cambridge.org/us/academic/subjects/literature/renaissance-and-early-modern- literature/shakespearean-sensations-experiencing-literature-early-modern-england?format=PB

“Conceiving Tragedy,” in Shakespearean Sensations (Cambridge: Cambridge University Press, 2013), 85-100. https://www.cambridge.org/us/academic/subjects/literature/renaissance-and-early- modern-literature/shakespearean-sensations-experiencing-literature-early-modern- england?format=PB

“Barnabe Barnes” and “Stephen Gosson,” in Encyclopedia of English Renaissance Literature, ed. Alan Stewart and Garrett Sullivan (Oxford: Blackwell Publishing, 2012), Vol 1, 46-47 & 393-395. https://www.wiley.com/enus/The+Encyclopedia+of+English+Renaissance+Literature%2C+3+Volume+Set-p- 9781405194495

“Audience reception,” in The Oxford Handbook to Shakespeare, ed. Arthur Kinney (Oxford: Oxford University Press, 2012), 452-467. https://academic.oup.com/edited-volume/28184

“Drugs, Poisons, Remedies, and the Theatre,” in Middleton in Context, ed. Suzanne Gossett (Cambridge: Cambridge University Press: 2011), 287-94. https://www.cambridge.org/us/academic/subjects/literature/renaissance-and-early-modern- literature/thomas-middleton-context?format=HB&isbn=9780521190541

“Tragedy and Revenge,” in The Cambridge Companion to English Renaissance Tragedy, eds. Emma Smith and Garrett Sullivan (Cambridge: Cambridge University Press, 2010), 58-72. https://www.cambridge.org/core/books/cambridge-companion-to-english-renaissance- tragedy/EFEF6A1A08B386667F7D2E2B8A8FFFE8

“Enclosing the Body: Tudor Conceptions of Skin,” in A Companion to Tudor Literature and Culture, 1485-1603, ed. Kent Cartwright (Oxford: Blackwell, 2010), 111-123. https://books.google.com/books?id=fqqlzE1h5O0C&printsec=frontcover#v=onepage&q&f=fals e

“‘A Thing Like Death’: Poisons and Sleeping Potions in Romeo and Juliet and Antony and Cleopatra,” reprinted (from Renaissance Drama, 2003) in Harold Bloom’s Modern Critical Interpretations, William Shakespeare’s Romeo & Juliet, New Edition (New York: Chelsea House, 2009), 29-54. https://books.google.com/books?id=6jRRnz32wmgC&printsec=frontcover#v=onepage&q&f=fal se

“Romancing the Greeks: Cymbeline’s Genres and Models,” in How To Do Things with Shakespeare, ed. Laurie Maguire (Oxford: Blackwell Publishing, 2007), 34-53. https://www.wiley.com/enus/How+To+Do+Things+With+Shakespeare%3A+New+Approaches%2C+New+Essays-p- 9780470693308

“Spelling the Body,” in Environment and Embodiment in Early Modern England, ed. Garrett Sullivan and Mary Floyd-Wilson (Basingstoke, Palgrave: 2007), 171-86. https://link.springer.com/book/10.1057/9780230593022

“The Pleasures and perils of smoking in early modern England,” in Smoke: A Global History of Smoking, eds. Sander Gilman and Zhou Xun (London: Reaktion Press, 2004), 38-45. https://press.uchicago.edu/ucp/books/book/distributed/S/bo3535915.html

“‘No Faith in Physic’: Masquerades of Medicine Onstage and Off,” in Disease, Diagnosis and Cure on the Early Modern Stage, eds. Stephanie Moss and Kaara Peterson (Aldershot: Ashgate, 2004).

“Les dangers de la beauté: Maquillage et théâtre au dix-septième siècle en Angleterre,” La Beauté et Ses Monstres, eds. Line Cottegnies, Tony Gheeraert et Gisèle Venet (Paris: Presses de la Nouvelle Sorbonne, 2002), 231-241. https://books.openedition.org/psn/4087?lang=en

Web Articles

“Medicine on the Early Modern Stage,” in Reading Early Modern Medicine, ed. Mary Fissell and Elaine Leong, Max Planck Institute for the History of Medicine, https://reademed.mpiwg-berlin.mpg.de/article/medicine-early-modern-stage-0 (2022).

“English Tragedy,” co-authored with Garrett Sullivan, in Oxford Bibliographies in Renaissance and Reformation, ed. Margaret King, in Oxford Bibliographies Online (Oxford University Press, 2022), https://www.oxfordbibliographies.com/

“Hecuba,” in A Dictionary of Shakespeare’s Classical Mythology, ed. Yves Peyré, http://www.shakmyth.org/myth/107/hecuba (2015)